La misma semilla
Author
Abel Vázquez
Technique
Charcoal on paper
Size
70 x 50 cm
Place and date of creation
Mérida, Yucatán. 2019
ID
AVO-C019
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This is the story of a woman’s struggle to defend the earth. As she tries to save it from the invaders, she realizes the enormous task that lies ahead of her.
Unfortunately, in spite of being a woman with great strength, her hard work leads her to her death, forming part of nature once again by offering her life.
It is an ode to all those activists who have died on the battlefield, during the fight against global warming and the abuse of species.
Plastic Artist
Trained as a cabinetmaker with his father in his childhood, he studied and graduated as a sculptor from the most important art school in Mexico, achieving a multifaceted professional development, venturing into all variants of the plastic arts.
A Toledo
Author
Abel Vázquez
Technique
Charcoal on paper
Size
50 x 70 cm
Place and date of creation
Mérida, Yucatán. 2019
ID
AVO-C018
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All our works are original, signed by the artist and include his certificate of authenticity.
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This piece pays homage to the Master Francisco Toledo.
Abel, like many other artists, recognizes the master as the great “Tatich” (father/ the first one) of contemporary painting.
He admires his extraordinary value as a caring human being, always integrating and collaborating with the community.
The usage of eroticism and the integration of scorpions, are symbols of reference the important character of Mexican art and his work.
Plastic Artist
Trained as a cabinetmaker with his father in his childhood, he studied and graduated as a sculptor from the most important art school in Mexico, achieving a multifaceted professional development, venturing into all variants of the plastic arts.
Las brujitas
Author
Abel Vázquez
Technique
Charcoal on paper
Size
70 x 50 cm
Place and date of creation
Mérida, Yucatán. 2019
ID
AVO-C017
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All our works are original, signed by the artist and include his certificate of authenticity.
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In a very seductive way and with a marked tendency towards eroticism, Abel tells us about the eternal and important relationship that women have with nature.
In this piece, he shows us a fusion between some wild flowers that come out in the rainy season, called “brujitas” (Little Witches). And the woman unfolded in several phases or planes, enclosing a magical mystery, as if she were just another witch.
Plastic Artist
Trained as a cabinetmaker with his father in his childhood, he studied and graduated as a sculptor from the most important art school in Mexico, achieving a multifaceted professional development, venturing into all variants of the plastic arts.
Nos estamos…
Author
Abel Vázquez
Technique
Charcoal on paper
Size
70 x 101 cm
Place and date of creation
Mérida, Yucatán. 2019
ID
AVO-C016
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All our works are original, signed by the artist and include his certificate of authenticity.
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“Nos estamos mosqueando” (“We are getting angry”); This is a popular spanish phrase, which Abel uses to describe the wear and tear of a relationship that has been going on for a long time, and no longer brings mutual enrichment. It also represents the need to look for another partner, and describes how keeping an issue that has no solution, will not let other relationships flow.
The characters in the drawing seem to be looking for more reasons to stay together, being surprised by the presence of flies on their bodies, which indicate that something is clearly wrong.
Plastic Artist
Trained as a cabinetmaker with his father in his childhood, he studied and graduated as a sculptor from the most important art school in Mexico, achieving a multifaceted professional development, venturing into all variants of the plastic arts.
El chupamirto
Author
Abel Vázquez
Technique
Charcoal on paper
Size
80 x 121 cm
Place and date of creation
Mérida, Yucatán. 2019
ID
AVO-C015
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All our works are original, signed by the artist and include his certificate of authenticity.
For more information contact us at our email:
This piece captures fusion and leaves the regular figure unreadable, inviting the observer
to interpret the total context.
For the author, and some cultures, flowers are synonymous of femininity and eroticism.
Within this drawing, the sweetness of physical contact, is represented with the “Chupamirto” or hummingbird; a very important animal in the indigenous cultures of Latin America, which carries and drinks nectar from flowers.
Plastic Artist
Trained as a cabinetmaker with his father in his childhood, he studied and graduated as a sculptor from the most important art school in Mexico, achieving a multifaceted professional development, venturing into all variants of the plastic arts.
El tocado a la orilla del mar
Author
Abel Vázquez
Technique
Charcoal on paper
Size
75 x 113 cm
Place and date of creation
Mérida, Yucatán. 2019
ID
AVO-C014
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All our works are original, signed by the artist and include his certificate of authenticity.
For more information contact us at our email:
A woman sits on the beach sand where she went with her former partner.
She misses him very much, as they ended the relationship, and on very bad terms.
She remembers how they used to have intimate encounters by the beach, and can’t help but feel melancholy.
For Abel, fish have a phallic, fertility and abundance symbolism. Just like the cactuses.
This piece is part of his collection of erotic drawings of the year 2019.
Plastic Artist
Trained as a cabinetmaker with his father in his childhood, he studied and graduated as a sculptor from the most important art school in Mexico, achieving a multifaceted professional development, venturing into all variants of the plastic arts.
Se ve pero no se toca
Author
Abel Vázquez
Technique
Charcoal on paper
Size
80 x 121 cm
Place and date of creation
Mérida, Yucatán. 2019
ID
AVO-C013
Ask for price
All our works are original, signed by the artist and include his certificate of authenticity.
For more information contact us at our email:
There are moments of tension and attraction with people that we cannot get close to, either due to moral principles, or due to distances that do not allow us to maintain a relationship with them.
In this piece, we see that sensation represented in a scene made up of two women. They merge their hands on the feet, alluding to the phrase “put your feet on the ground”, that is, do not get carried away by emotions.
Neither they nor the cacti can touch, they are only contemplated.
Plastic Artist
Trained as a cabinetmaker with his father in his childhood, he studied and graduated as a sculptor from the most important art school in Mexico, achieving a multifaceted professional development, venturing into all variants of the plastic arts.
Technique: Pencil and Charcoal on Paper
Size: 80 x 121 cm
ID: MMD-C003
Technique: Pencil and Charcoal on Paper
Size: 121 x 80 cm
ID: MMD-C006
Technique: Pencil and Charcoal on Paper
Size: 80 x 121 cm
ID: MMD-C007